This article is taken from the May 2024 issue of Fraternal Review titled, “Hip Hop and Freemasonry”
An intriguing phenomenon has emerged at the fascinating intersection of hip-hop culture and Freemasonry, capturing the attention of fans and critics alike. Several notable artists from the hip-hop genre have sparked intense curiosity and speculation through their deliberate use of Masonic symbolism in various aspects of their work. Figures such as Kanye West, Busta Rhymes, Rakim, Jay-Z, and Nas have all been associated with this enigmatic imagery, whether through their music videos, album artwork, or the lyrics of their songs.
Kanye West, a prominent figure in the hip-hop industry, has long been at the center of discussions regarding incorporating Masonic and Illuminati symbolism into mainstream media. This fascination with Masonic symbols used by Kanye West and other hip-hop artists isn’t a mere coincidence or a purely aesthetic choice. Specific Masonic symbols that frequently appear include the square and compasses, often regarded as the most universally recognized emblem of Masonry. These symbols are emblematic of moral and ethical guidance, resonating with themes of enlightenment and self-improvement that pervade Freemasonry and, arguably, hip-hop’s lyrical narratives. Another significant symbol is the all-seeing eye, or the Eye of Providence, symbolizing divine watchfulness and the enlightenment of the mind.
A prime example can be found in his music video for “Power,” which is rife with visual references that many interpret as nods to Masonic imagery, such as the columns on the right and left of his figure, the iconic gold chain with an Owl emblem, which could be seen to resemble a Masonic Officer’s jewel. In Kanye West’s “Power” music video, the imagery evokes a sense of oversight and control, hinting at the hidden depths of knowledge and power that Freemasonry is often rumored to hold. The video’s carefully orchestrated visuals present a tableau that suggests themes of power, control, sexuality, and enlightenment—elements commonly associated with the lore surrounding Masonic conspiracy theories. These symbols, woven into the fabric of hip-hop culture, suggest a deeper exploration of identity, power, and societal structures, creating a compelling and complex relationship between the genre and the Masonic tradition.
Furthermore, the cover art of Kanye West’s album “My Beautiful Dark Twisted Fantasy” showcases contemporary artist George Condo’s painting depicting a naked West being straddled by a phoenix. Some analysts and fans suggest that the phoenix symbolizes rebirth and illumination, concepts frequently associated with Masonic rites of passage and the Illuminati’s purported goals of enlightenment and societal domination. The imagery is both provocative and laden with potential symbolism, inviting numerous interpretations regarding West’s messages and his use of such powerful iconography.
Lyrics across Kanye West’s discography also contribute to the discussion, with tracks like “Eyes Closed” containing lines that hint at secret knowledge and a deeper understanding of the world. In “Eyes Closed” West raps, “I sold my soul to the devil that’s a crappy deal / At least it came with a few toys like a Happy Meal.” This verse is often cited as evidence of West engaging with the theme of selling one’s soul for fame and fortune, a narrative frequently associated with the Illuminati in popular culture. Critics and fans alike have dissected such lyrics to argue that West either believes in or wishes to reflect the Illuminati’s principles, whether as a critique of or an homage to the power structures in the music industry and beyond.
Jay-Z, another titan in the hip-hop industry, has long been the subject of speculation for his use of imagery that some interpret as Masonic. In his lyrics, Jay-Z frequently invokes themes of power, secret societies, and a quest for enlightenment, which resonate deeply with Masonic ideals. A notable instance is in the Rick Ross song “Free Mason,” where Jay Z is featured and directly addresses the rumors linking him to Freemasonry, rapping, “I said I was amazing, not that I’m a Mason.” Despite his denial of being a Freemason, the mere mention of the fraternity adds fuel to the speculative fire.
On the visual front, Jay-Z’s use of symbols associated with Freemasonry in album covers and music videos also garners attention. His music video for “On to the Next One” has been heavily analyzed for its inclusion of imagery that some assert bears a Masonic influence, such as skulls, flames, and other symbols often linked to Masonic lore. Critics and fans dissect these symbols, pondering their significance and positing that they might reflect Jay-Z's fascination with the themes of mortality, enlightenment, and rebirth—concepts integral to Masonic ritual and philosophy.
Furthermore, Jay-Z’s clothing line, Rocawear, has released items that feature symbols such as the all-seeing eye and the pyramid, further cementing his association with iconography commonly linked to Freemasonry and the Illuminati. These creative choices in his music, videos, and fashion have sparked endless debates regarding his possible affiliations or his reasons for engaging with such potent and enigmatic symbolism.
Despite the widespread speculation and fervent discussion among fans, observers, and conspiracy theorists, none of these artists have publicly confirmed their membership in Freemasonry. This silence adds to the mystique and fuels further intrigue about their possible connections to the organization.
Including Masonic symbols in their work does more than stir curiosity; it adds a layer of complexity and mystique, inviting listeners to delve into a deeper narrative within their art. It suggests a link between Freemasonry’s rich history and principles and the themes of enlightenment, empowerment, and fraternity often explored in hip-hop culture. However, without explicit acknowledgment or confirmation from the artists, the true extent of their affiliation with Freemasonry remains an intriguing mystery.
This blend of secrecy, symbolism, and speculation continues to fascinate and engage audiences worldwide, serving as a testament to the enduring power of imagery, secrecy, and misinformation.
Written by Ian Evenstar Laurelin